6 Tricks to Speaking a Foreign Language with an Impressive Accent

Speaking with impressive accent

Has someone ever said this to you before?

“Wait a minute- you’re not from here? But you have no accent! Is one of your parents from here?”

The first time I heard a Brazilian say this to me, I played it cool on the outside, but on the inside I was ecstatic.

In the language learning journey, there’s no greater victory than having a native speaker mistake you for a local.

Since then, I’ve been complimented by native speakers for my accents in Spanish, Portuguese, Mandarin, French and most recently German. Even though I’ve gotten used these compliments, I still get that “hell yeah!” feeling each time I hear them.

But nailing the accent in your target language isn’t just about impressing people- there are practical benefits as well. With a good accent, you can:

  • Pick up new words and expressions faster.
  • Speak more fluidly.
  • Understand native speakers more clearly.

Research also shows that people like you better when you speak like them.

I’ve definitely noticed this in my travels. Natives feel more at ease when they speak with me compared to other foreigners. Because I sound like them, they can let down that guard of “Wait, this guy’s a foreigner and probably won’t get it.”

As one Brazilian girl explained it to me:

“You just feel a lot more familiar to me, and I like that.”

Mimic Method Idahosa blending in with Brazilian locals
Idahosa from “The Mimic Method” blending in with Brazilian locals

Problem is, there hasn’t been a lot of practical resources out there for you to improve your accent. Learning what things mean in a foreign language is pretty straightforward; learning how things sound isn’t.

At least not until now…

In this post, I will break down for you 6 tried and true tricks to speak your target language with an impressive accent.

Trick #1: Master your Mouth

Most language learners know a lot about grammar, but they know very little about what their mouths are actually doing when they speak.

But if your mouth’s the one doing all the work in a foreign language, shouldn’t you at least know how the mouth works?

Learning to speak a language without knowing how your mouth works, is like learning to play guitar without knowing how your fingers work.

Most language learners don’t study anything about phonetics, and I don’t blame them. Most material out there is pretty jargony and overly-complicated.

Good news is, you don’t need to be a Phd student to benefit from phonetic training. You just need to know enough to hack the sounds of your target language.

In my free e-courses, I explain everything you need to know about the phonetics of your target language.

For now, let’s just review the basics:

  • When you let air pass through your mouth freely, you are making a vowel sound (e.g. the /i/ from Spanish “Sí”)
  • When you block the airflow through your mouth with your tongue, lips, or some other “articulator”, you are making a consonant sound (e.g. the /s/ from the Spanish “Sí”)

If you mispronounce a vowel sound, that means you are doing one or more of the following:

  • Placing your tongue in the wrong position.
  • Curling your lips the wrong way.
  • Misdirecting airflow through your nose.

If you mispronounce a consonant sound, that means you are doing one or more of the following:

  • Using the wrong “articulators” to block the airflow.
  • Blocking the airflow the wrong way (e.g. blocking it completely when you’re supposed to block it only partially).
  • Vibrating your vocal cords when you’re not supposed to, or vice versa.

People typically view an “Accent” as an abstract thing. That’s why it’s intimidating to set the goal “I want to improve my accent”.

But when you can break it all down into concrete terms, the idea of improving your accent becomes much more doable.

Now that we know “how” to improve your accent, the next tasks is figuring out “what” exactly you need to improve.

Trick #2: Seek and Destroy Your Personal Accent Blocks

Every language-learner has his own set of tongue-twister sounds when speaking his target language.

I refer to these sounds as accent blocks, and my mission is to seek and destroy them.

Since most accent blocks are related to sounds that don’t exist in your first language, the first objective in the seek and destroy mission is finding out what those sounds are.

For example, when I started learning German this last May, the very first thing I did was identify the 11 sounds that don’t exist in my native English.

Here they are:

Of this list, my personal accent block was the /ç/ sound from words like “ich” and “fertig”.

I was able to pronounce the sound in isolation, but whenever I tried to pronounce it next to another consonant sound (like in the words “bißchen” and “mädchen”), my tongue would always freeze up.

To destroy this accent block, I made of every possible consonant combination involving the /ç/ sound. Then I repeated these combos over and over again until I could comfortably pronounce each.


It was very difficult to do this at first. My tongue would trip up often and be sore by the end of a practice session.

But since the brain has an infinite capacity to learn new motor skills, I was able to master all of these sound combinations in just 2 days.

It might seem like overkill to dedicate so much energy just to get one sound right, but consider the fact that the /ç/ sound comes up all the time in German. It would have constantly frozen up my tongue in German conversations.

Instead of letting this accent block handicap my German speaking for months or even years, I decided to deal with right away with just 2 days of practice.

What are your accent blocks? How are you going to fix them?

We are creating more resources to help people seek and destroy the most common accent blocks in every language. Here’s an example of the most common vowel mistakes in Spanish:

Wanna find our your accent blocks? Sign up for our list to get access to these resources.

Then once you’ve mastered all the sounds of your target language, the next step is to string them together in natural, connected speech.

Trick #3: Ignore the Words and Listen for the Syllables

Most people think of speech as being a sequence of words, but actually it’s a sequence of syllables.

For example, listen to these two versions of the phrase “Hey what are you doing tonight?”

word for word vs natural by The Mimic Method on hearthis.at

In the first version, I speak word-for-word and sound unnatural as a result. If you were learning English, you wouldn’t want to sound like this.

In the second version, on the other hand, I let the words flow together naturally. This is how an English learner strives to sound.

To speak a language naturally, you need to ignore the words and listen for the syllables.

The first step in learning to hear syllables is learning to count syllables. Listen to the recording below on repeat in slow motion. See if you are able to count the 8 separate syllables in your head.

slowed down to count syllables by The Mimic Method on hearthis.at

Once you are able to count syllables, the next step is to transcribe each syllable into its component sounds.

Here’s that same sentence broken down into its syllables using the international phonetic alphabet. Notice how some of the words are pronounced completely different than they are in isolation.

heɪ wə ɾɚ ju du ɪn nɪ naɪʔ

When I hear a new word or phrase in a language, I try to disassemble and playback the syllables in my head like this:

syllable for syllable by The Mimic Method on hearthis.at

People assume that I have an innate talent for hearing and mimicking, but the truth is that this is something I trained, and you can train it to.

Why would you want to develop this ability?

Because hearing and mimicking syllables is a language learning superpower. With it, you can pick up new words and expressions easier than everyone else, just by listening with your ears.

But just nailing the syllables isn’t enough to speak with an impressive accent. The final piece of the puzzle is the melody.

Trick #4: Mumble the Melody

If a phrase was a song, the syllables would be the musical notes.

Just like in a musical melody, a phrase melody is all about the way the syllables change in pitch and rhythm.

Melody is such a fundamental part of language that most of the time we don’t notice it. That’s why melody mismatch is such a major ingredient in a person’s foreign accent.

Melody mismatch is when you set the syllables of your target language to the melody of your native language.

Here’s an example of me speaking Chinese with an American melody, and English with a Chinese melody. Both should remind you of the typical foreign accents for those languages.

melody mismatch by The Mimic Method on hearthis.at

With so much already going on in a phrase, it can be hard to focus your hearing on just the melody.

That’s why the best way to train melody is to ignore the phonemes and mumble.

music and language Brazil
To me, music and language are two sides of the same coin.

In the recording below, I listen to phrases in Italian, German and Japanese and mumble the melodies of each.

mumbling the melody by The Mimic Method on hearthis.at

Sometimes the melody can be so different from what I’m used to that I can’t hear it at normal speed. So I’ll first try it slowed down like this.

mumbling melody slow by The Mimic Method on hearthis.at

Wanna give it a try? Here are 3 more examples for you to practice with. For each one I do a slow version and a normal speed version.

Mumbling Practice by The Mimic Method on hearthis.at

If you think this training is useful, sign up for our mailing list and we will be sending out ear and mouth training exercises like these periodically.

Trick #5: Act like a Child

Mumbling strange melodies and making strange sounds with your mouth can feel a bit…well…strange.

This is because we base much of our identity in the way we sound.

If you’re from Boston, you might self-identify with your Boston twang. If your from Paris, you might self identify with your Parisian cadence.

So a Bostonian might feel “not himself” if he all of a sudden started to speak with the Parisian cadence. And the Parisian might feel “not herself” if she all of a sudden had to adopt the Boston twang.

There is always a psychological barrier to speaking a foreign language with a good accent.

Language learning forces you to redefine your concept of “self” and stretch the boundaries of your personality. That’s why it helps to return to the time when your identity was looser- childhood.

When you were a child, you had no real sense of “self.” This meant that you could freely try new things and mimic the people around you without ever stopping to think “Wait I can’t do this…this is not my style!”

Short of time machines and magic spells, there’s no way to truly return to your childhood self. You can, however, nurture child-like habits.

When speaking your target language, try to do more of the following:

Ask a lot of questions

Every kid has that “why?” period that drives their parents crazy. They’re in this amazing new world and they now have the tool of the “question” to learn everything they can about it.

When learning a language, try to drive the natives crazy by asking them “what’s that?” and “how do you say that?” all the time.

Asking questions re-activates your natural curiosity and makes you more comfortable with your ignorance.

Mimic all the time:

Another thing kids do to irritate their parents is mimic the music and speech of their environment. They do this because sound is intrinsically interesting to our brains.

When you watch TV in your target language or walk down the street in the target language country, try to mimic everyone you hear. This simple practice will rapidly accelerate accent acquisition.

nephew and nieces language learning tips
I look to my nephew and 2 nieces for language learning tips

Play with the sounds:

The easiest way to make a child laugh is to speak in a goofy voice. Again, there is something irresistibly entertaining about strange sounds.

When speaking your foreign language, have fun with mimicry’s close cousin- mockery. Exaggerating the musicality of the language helps loosen up your identity and get more into the spirit.

Just make sure your imitations come from a place of respectful playfulness, and native speakers will be more likely to laugh than feel insulted.

And if anyone ever accuses you of “Acting like a child,” smile and say “Thanks!”

Tip #6: Find an Accent Role Model

Once you put yourself in that child-like state, your identity will be loosened up and ready to evolve. Now the question becomes: “which new identity will you evolve into?”

To guide your accent/identity evolution, find an “accent role model” in your target language and try to mimic that person as closely as possible.

Your role model should be a native speaker with a similar voice quality to your own. The person should also be someone you consider to be “cool” or likable in your eyes (and ears).

The person can be either a friend you spend a lot of time with, or a celebrity you can watch a lot of videos of on youtube. Or it can be a combination of both.

For example, when I learned Portuguese I always kept Seu Jorge’s voice in my head because he just sounded so cool, but I also tried to mimic my friend Luis, since I spent so much time with him.

Seu Jorge Brasil

The point is that, whenever you speak the language, you should try to “get into the character” of that role model.

Do this enough, and your foreign language persona will eventually become a part of you.

Whenever you speak your target language, you can slip into this version of yourself and speak fluidly with an authentic accent.

You’ll finally fall into the “flow” of the language and find yourself picking up words and expressions more easily.

With this new shade of your personality, you’ll be able to connect better with the locals and get more out of your travels and cultural exchanges.

Then one day, someone might mistake you for one of the locals, and it will be glorious.

By Lingholic

12 thoughts on “6 Tricks to Speaking a Foreign Language with an Impressive Accent”

  1. Awesome post! One of the most useful I’ve read recently. Do you have any further readings on language learning and the redefinition of one’s own “self”?

  2. Fantastic post. I’ve grown up speaking two languages and hearing a third, and that has given me a repertoire of sounds to play with. Monolingual people, I’ve noticed, have more trouble with accents – if you are an Anglophone, some Russian sounds will sound weird to you and you might feel that you have to ‘make faces’ to get them right. Of course we do this in our native languages too; we just don’t realise it!
    My downfall has been Indian languages. The retroflex sounds don’t exist in any of the languages I was exposed to as a child, so I can’t get them right. I will be sure to try out you suggestions!

  3. I really appreciate this post, thanks. I found that my attempt at sounding more Italian improved when I started getting singing lessons and learning more about the mechanics that happen inside the mouth. ‘m still working on it though and I find that the more I concentrate on meaning, the more sloppy the pronunciation gets. I’m better at pronunciation if I’m talking using language patterns that have ‘stuck’ in my mind, such as common everyday phrases. I’m a Welsh tutor, and I place a lot of emphasis on pronunciation as its as essential as meaning and grammar, I believe. I like that quote about people liking you better when you speak more like them. This is so true and probably runs deeper than simply feeling comfortable that they won’t have to worry about you ‘getting’ what they’re saying, to the idea of ‘us’ and ‘other’. It’s something that I’ve noticed in Wales though. People who have reached fluency level in Welsh are more likely to be seen as an honorary Welsh person than someone who has mastered the language, but not the pronunciation. I also liked how you explained the differences between vowels and consonants in terms of air flow and air obstruction. This is a great way of looking at it and it will help me explain to Welsh learners why the letters ‘w’ and ‘y’ are vowels in Welsh, not consonants. We pronounce them, respectively, as the English sounds ‘oo’ as in ‘tool’ (w) and in letter ‘y’ is pronounced like the ‘u’ churn’, with no obstruction of air flow. Diolch! Thanks!

  4. Wow, just loved this post! Congrats for the lingholic crew.

    Irmão idahosa!!!
    Fico muito feliz por você de ver o mimic method tomando seu rumo.
    Adorei as dicas e a foto do carnaval trouxe saudade dessa bagunça e de você por aqui. Não se demore. beijão

  5. I’m learning English (C1), Thai(B2), Korean(A1)
    Whenever I begin to learn a new language, I start listening to English/Thai/Korean TV shows, their underground rap crews and youtube clips from day one and about 3-5h a day for a few months. During that time I will start mimicking words (singing, swearing, greeting). Plus I read the language’s wikipedia article, especially the phonetics part. Knowing IPA and a basic understanding of phonetics is important to speak accent-free.
    1 Then I start to correctly read the script of the language.
    2 Then I start learning grammar. To get concepts of tense, inflection, word order etc. Without learning any vocab.
    3 Then I start learning vocab too (mass sentence input methods and SRS)
    4 Then I start to speak and write.

    So after a few months I’m doing 1-4 together, but I start off with 1 earlier than 2, earlier than 3 etc.

    Whenever I speak Thai over the phone, people mistaken me for a local.
    Whenever I speak English, people know I’m not a native (since I’ve got a weird mixed British/US accent lol)
    Whenever I speak Korean, I wake up, because it’s just a dream and I’m not yet able to speak Korean (I’m on the “learning Grammar” part) but I would say phonetically I’m pretty close to a native when I read out a word (that I don’t understand) (maybe because I had a Korean GF for 6 months?)

    I think it’s ineffective to try to create output in the early stage of language learning, since comprehensible input is more important to start with and I like that methodical and structured approach.

  6. This is a great post – thanks for that! Mimicking has been a great way for me to improve my pronunciation/accent – especially focusing on mimicking some very specific phrases, e.g. focus on repeating the same phrase all the time. Breaking sounds down into chunks is also very helpful, as you suggest, and I’m going to have a go at the other techniques as well!

  7. How do I make the tracks work? It’s telling me soundcloud couldn’t find the track, and I’d love to hear his examples of mumbling melodies…

  8. Nice article, but just out of curiousity, where are you from since you commented you didn’t have /ə/ and /œ/ in your native English language? I’m studying phonetics at undergrad level at the moment and /œ/ is found in apple /ˈæpl/ and the schwa (upside down e) is found in the noun address /əˈdres/

  9. but which Brazil accent..Sao Paulo, Recife, |Rio de Janeiro..or other..and German..Bonn so different from Hamburg or Berlin?
    similar to English”? what is the perfect’ English accent? mimic a Londoner, or someone from NYC, Texas, Boston, Alabama, Sydney, Australia, Cockney, South Africa, Jamaica, New Zealand..or..?

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